000 | 01661nam a2200193Ia 4500 | ||
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020 | _a9789693505146 | ||
040 | _cPK-LaCSN | ||
082 |
_bBAN _a891.439371 |
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100 | _a"Bano, Qudisea" | ||
130 | _lUrdu | ||
245 | 0 | _aRaja Gidh | |
250 | _a34th edi | ||
260 |
_bsange- meel: _aLahore; _c2018. |
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300 |
_a452 Pages: _3Text _c22 cm. |
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520 | _aRaja Gidh (meaning “The Vulture King”) is a symbolic and philosophical exploration of human morality, madness, and spiritual decay. The story delves deep into the consequences of forbidden desires and moral corruption on both individuals and society. The novel is narrated by Qayyum, a middle-class man who falls deeply in love with Seemi Shah, a beautiful and educated woman from an elite family. Seemi, however, loves another man, Aftab, who later leaves her to marry someone else due to family pressure. Devastated, Seemi slowly descends into depression and mental instability. Qayyum’s love for Seemi turns into an obsession, reflecting the destructive nature of unchecked desire. Throughout the story, Bano Qudsia uses the metaphor of vultures (Gidh) creatures that feed on the dead — to represent people who feed on immorality, forbidden acts, and spiritual decay. As Seemi’s mental health worsens, Qayyum begins to question why humans, unlike animals, are bound by morality and what happens when they cross these limits. The novel links madness to the consumption of “forbidden sustenance” (حرام رزق) — suggesting that spiritual impurity leads to psychological and social corruption. | ||
942 |
_2ddc _cBK |
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999 |
_c204197 _d204197 |