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Raja Gidh

By: Material type: TextTextPublication details: sange- meel: Lahore; 2018.Edition: 34th ediDescription: 452 Pages: 22 cmISBN:
  • 9789693505146
Uniform titles:
  • Urdu
DDC classification:
  • BAN 891.439371
Summary: Raja Gidh (meaning “The Vulture King”) is a symbolic and philosophical exploration of human morality, madness, and spiritual decay. The story delves deep into the consequences of forbidden desires and moral corruption on both individuals and society. The novel is narrated by Qayyum, a middle-class man who falls deeply in love with Seemi Shah, a beautiful and educated woman from an elite family. Seemi, however, loves another man, Aftab, who later leaves her to marry someone else due to family pressure. Devastated, Seemi slowly descends into depression and mental instability. Qayyum’s love for Seemi turns into an obsession, reflecting the destructive nature of unchecked desire. Throughout the story, Bano Qudsia uses the metaphor of vultures (Gidh) creatures that feed on the dead — to represent people who feed on immorality, forbidden acts, and spiritual decay. As Seemi’s mental health worsens, Qayyum begins to question why humans, unlike animals, are bound by morality and what happens when they cross these limits. The novel links madness to the consumption of “forbidden sustenance” (حرام رزق) — suggesting that spiritual impurity leads to psychological and social corruption.
Item type: Books
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Holdings
Item type Home library Call number Status Date due Barcode Item holds
Books Books Khanewal Campus (Main Library - Central Region) 891.439371 BAN (Browse shelf(Opens below)) Available 000130914
Total holds: 0
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891.4393 THE Jaleabian 891.4393 UME Mare zat zara e benishan 891.4393 ZAI Mank Moti 891.439371 BAN Raja Gidh 891.439371 NAS Shaheen 891.439371 UME Lahasil 891.439371 UME Aab-e-Hayat

Raja Gidh (meaning “The Vulture King”) is a symbolic and philosophical exploration of human morality, madness, and spiritual decay. The story delves deep into the consequences of forbidden desires and moral corruption on both individuals and society. The novel is narrated by Qayyum, a middle-class man who falls deeply in love with Seemi Shah, a beautiful and educated woman from an elite family. Seemi, however, loves another man, Aftab, who later leaves her to marry someone else due to family pressure. Devastated, Seemi slowly descends into depression and mental instability. Qayyum’s love for Seemi turns into an obsession, reflecting the destructive nature of unchecked desire. Throughout the story, Bano Qudsia uses the metaphor of vultures (Gidh) creatures that feed on the dead — to represent people who feed on immorality, forbidden acts, and spiritual decay. As Seemi’s mental health worsens, Qayyum begins to question why humans, unlike animals, are bound by morality and what happens when they cross these limits. The novel links madness to the consumption of “forbidden sustenance” (حرام رزق) — suggesting that spiritual impurity leads to psychological and social corruption.

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